Furious Flower Poetry Center has been at the forefront of Black poetry for 25 years. As the nation’s first academic center for Black poetry, Furious Flower was founded on the campus of James Madison University in Harrisonburg, Virginia, and born out of a 1994 poetry festival titled “Furious Flower: A Revolution in African American Poetry,” organized by scholar Joanne Gabbin. The festival brought thirty presenters to Harrisonburg, Virginia, to discuss Black poetry with scholars, poets, and lovers of literature. The Center gets its name from Gwendolyn Brooks’ poem “The Second Sermon on the Warpland” in which she writes, “The time cracks into furious flower. Lifts its face all unashamed. And sways in wicked grace.” Since its inception, Furious Flower has held numerous conferences, yearly summer camps, workshops, and published an online literary journal “The Fight & The Fiddle” in 2016. On September 28 through September 30 poets, friends and supporters from all over the world gathered to celebrate the work of Furious Flower and Black poetry, and what better place to celebrate both than at the National Museum of African American History and Culture (NMAAHC)? To convene and celebrate the past, present, and future of Black poetry at the NMAAHC, surrounded by remnants of Black history and culture with a blend of poets from various generations, shows the progress that has been made to recognize Black history and culture on domestic and international levels.
Below is a response to Furious Flower’s 25th Anniversary Fundraiser from former and current HBW staff members and affiliates.
Lacey McAfee, Ed.S., Pennsylvania School Psychologist, and former Communications Specialist and Office Manager at the Project on the History of Black Writing 2010-2014:
I had the pleasure of being able to attend the Furious Flower anniversary gala after receiving an invitation from Dr. Maryemma Graham, due to working with the Project on the History of Black Writing during my four years at the University of Kansas. I was amazed at seeing the amount of people, which included some of the most talented poets, professors, and authors, all gathered in one place to celebrate Furious Flower and to continue to support and encourage Black poets. Attendees were given the honor of seeing United States Poet Laureates including Rita Dove, Natasha Trethewey, Tracy K. Smith, and Amanda Gorman. Each of whom shared a poem, which encompassed a piece of their story or emotions they have felt while the room was hushed, taking in their words. At times during the readings, you could hear within the crowd brief agreements, identifying with what the poets were saying. I listened in awe, amazed to be able to hear such great pieces that had meaning for each poet and its listeners. At times, I truly lost myself in their words. There were also beautiful contributions to those that recently passed, including the great Toni Morrison, and a fellow English professor who was a friend of Joanne Gabbin. The night then turned into a fun move and groove vibe as the Ranky Tanky jazz band played. You could see the excitement of students coming from other universities and states, being able to meet the very same poets and authors that encouraged them to further pursue their interests as the night turned into mingling, networking, and dancing.
Portia Owusu, Ph.D., Visiting Assistant Professor / ACES Fellow of English in the Department of English at Texas A&M University: Over the course of three days, there were workshops, seminars, and readings that reflected on the past, the present and the future of African-American poetry. On the first day there was a benefit gala held at the Grand Hyatt Hotel in Washington D.C. Galas normally have two things in common: beautifully-dressed people and fundraising. The gala for the Furious Flower Center had all these elements, but it was different in that the focus of the night was not simply “give us your money.” On the contrary, the night showed everyone in attendance why the organization is worthy of support, financial or otherwise. The program showcased a diversity of talent in contemporary African-American poetry, some whose work has enjoyed the international platform and others who are lesser-known, but clearly ones to watch out for. Relating to the former, the occasion was delivered by Elizabeth Alexander. Alexander is a poet and a scholar and currently the President of the Andrew Mellon Foundation. To millions of people worldwide, she is also the poet who wrote and delivered “Praise Song for the Day” for President Obama’s inauguration in 2008. Alexander’s opening words, apparently unprepared and improvised, awed the crowd in its authority and exaltation. It demonstrated the richness of the African-American vernacular tradition and its power to uplift on different occasions. It was hard to think about how anyone can follow Alexander after her impressive introduction, but a reading by Amanda Gorman, the first-ever U.S. National Youth Poet Laureate, aptly rose to the challenge. Gorman, a student of sociology at Harvard, read samples of her work. Delivered in the style of the spoken word, it was performative, daring and engaged. The maturity of Gorman’s writing and her passionate performance made it clear that she is a vision of the future of African-American poetry. (more…)